Read more… Notation: Alilaimel - Mohanam - Tiger Varadhachari It is abbreviated to Ri, or simply r in music notations.
Rishabam is the second swaram in our Sapta Swaras. For now, it’s suffice to know that all swarams fall in place based on the position of Sa. It will be dealt in detail in another post. The first swaram, Sa, is of great importance. We will also understand how these sapta swaras are related to each other. We are going to understand how these pitches are related to sapta swaras. Some notes sound low pitch and some sound high pitch.
Pitch is something you would have already felt when singing. In this series we’ll take a look at each of these swarams, the pitch positions they take ( swara sthanams), and the relationships between them. In Carnatic music there are seven musical notes, the Sapta Swaras. Similarly, Ga also has three distinct swarasthanams. In the last post we learned about the three swarasthanams of Ri. It can also be shortened further as simply g in music notations. It’s shortened as Ga while uttering the note in a Swara Kalpana, or while talking about the swaram informally. Gandharam is the third swaram of Sapta Swaras. We discussed about swaram Ri in the previous post. This is a series on Sapta Swaras, the seven musical notes of Carnatic music.
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